Pulsar
DSP Powered Music Production Environment
Mixing
The heart of Pulsar's environment is the 32-channel digital mixer. It is as
powerful as many digital mixing boards costing many times the price of a single
Pulsar system. Nevertheless, the Pulsar mixer is easy to operate and very
intuitive. The mixer can be freely connected with external signals (outboard
gear, HDR software) as well as with internal signal sources (Pulsar synths
and sample-players...).
Each of the 32 channel strips boasts a graphic 4-band parametric EQ, four Pulsar effects inserts and 8 auxiliary busses or inserts for external hardware. The mixer also features 16 record busses or subgroups and a comprehensive master section. Use an external MIDI fader box to remote-control the mixer, and Pulsar becomes even more of an ergonomic and powerful mixing environment..
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Routing
System
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Mixing
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Synthesizers
With Pulsar you get an amazing suite of synthesizers - reincarnations of vintage
classics as well as innovative new synth designs. And since they are being
generated on DSPs, you can play Pulsar's synthesizers just like hardware instruments!
There is absolutely no latency between keystroke and sound.
You'll encounter a number of classic subtractive synths with the same fat sound as the originals - but with the added features of Pulsar's pristine audio quality, full MIDI control and the nowadays essential ability to save sounds as presets. Also included in the Pulsar software package are synthesizers for FM and drum sounds. Furthermore, dozens of additional instruments are available for the Pulsar/SCOPE platform.
The
Pulsar II synth package includes the following:
Miniscope, Miniscope MK II: You'll know this one as soon as you see the wood
side panels and familiar interface.
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Blue
Synthesizer
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FM
One Synthesizer
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Miniscope
Synthesizer
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Miniscope
MkII Synthesizer
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Modular
Synthesizer
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Inferno
Synthesizer
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EZ
Synthesizer
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Uknow
007 Synthesizer
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Sample
Players
The Pulsar Sample Players give you access to a complete world of sounds! They
can read Akai-compatible samples and programs directly from the CD-ROM drive
of your PC or Mac. Of course, Akai files are imported with filter settings,
loop points and keyboard mapping parameters. Simply insert a sample CD-ROM,
load multiple banks into the Sample Player and play them as you would with
any rackmount sampler. You can also store those files on your computer's hard
disk.
The Pulsar Sample Players are highly polyphonic. You can easily play up to 64 stereo voices, using multiple modules. The Sample Player F also features a built-in filter section. To get you working right away, Pulsar comes with a CD-ROM from Best Service with a remarkable compilation of samples. These sounds include drum sets, acoustic instruments, synths, voices and a grand piano.
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Sampler
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Effects
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DSP Effects
With Pulsar, you can apply effects just like you would in any conventional
studio: anywhere within the audio chain, as aux send/returns and as inserts
within Pulsar's mixer. The DSP effects that ship with Pulsar include filters,
EQs, dynamics processors, reverb, delays, phasers, flangers and vocoders.
All effects operate with 32-bit resolution - so they're perfectly suited for
use in 24-bit productions. Everything works in realtime with no latency, and
you can use all effects for internal as well as for external signals
a level of performance which only a DSP-based system can hope to attain.
Roughly thirty effects ship with Pulsar, and again: there are many more available from CreamWare or from third-party developers. The more you make use of Pulsar effects, the more you free up your host processor for other tasks.
Hardware &
I/Os
The Pulsar II PCI hardware is just as innovative and efficient as the Pulsar
software. In addition to its massive DSP power, the board also hosts a flexible
I/O system. The inputs and outputs are situated on a daughterboard which can
easily be connected to the DSP card.
You can choose between four different interface options. All of them feature between 20 and 28 I/Os offering the highest possible sound quality and combining various formats - analog, S/PDIF, AES/EBU, ADAT and Z-Link.
The Pulsar II also features two independent S/TDM bus connectors for seamless integration with other DSP cards from the SCOPE family. This permits the system's DSP power and/or number of available I/Os to be easily expanded.
With the growing number of third party developers creating software for the SHARC DSP, the system has an enormous growth potential. With its 24-bit, 96 kHz I/Os, internal 32-bit resolution and superior floating-point precision algorithms, Pulsar II represents the state of the art in quality signal processing. Your productions simply sound better.
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Pulsar
Hardware
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Pulsar
Hardware
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I/O options & technical specifications
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Classic
20
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24ADAT
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PLUS
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Z-Link
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Number
of channels
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20 In / 20 Out |
24 In / 24 Out |
20 In / 20 Out |
28 In / 28 Out* |
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Analoge I/Os |
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2 |
- |
- |
2 / 18* |
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- |
- |
2 |
- |
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Digital I/Os |
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16 |
24 |
16 |
8 |
|
2 |
- |
- |
2 |
|
- |
- |
2 |
- |
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- |
- |
- |
16** |
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MIDI |
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1 |
2 (via Bracket) |
1 |
1 |
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AD/DA converter resolution |
24 Bit |
24 Bit |
24 Bit |
24 Bit |
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Sample
rates
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Master |
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+ |
+ |
+ |
+ |
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Slave |
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+ |
+ |
+ |
+ |
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+ |
+ |
+ |
+ |
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- |
- |
- |
+ |
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Audio
performance
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Digital > Analog (20Hz-20kHz) |
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+/-0.15 |
- |
+/-0.15 dB |
+/-0.15 dB |
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110 dB*** |
- |
110 dB*** |
110 dB*** |
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> 100 dBa |
- |
> 100 dBa |
> 100 dBa |
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105 dB |
- |
105 dB |
105 dB |
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Analog > Digital (20Hz-20kHz) |
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+/- 0.05 dB |
- |
+/- 0.05 dB |
+/- 0.05 dB |
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100 dB*** |
- |
100 dB*** |
100 dB*** |
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> 95 dBa |
- |
> 95 dBa |
> 95 dBa |
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> 102 dBa |
- |
> 102 dBa |
> 102 dBa |
* Including 16 channels via two optional Luna 2496 I/O Box units
** One Z-Link interface transfers eight digital channels at 24 bits / 96 kHz
*** These specifications are based upon technical data provided by the converter manufacturer
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